The iconic bassist and co-founder of the Red Hot Chili Peppers tells his fascinating origin story, complete with all the dizzying highs and the gutter lows you'd want from an LA street rat turned world famous rock star.
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers.
Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time.
About the Author
Flea is an Australian-born American musician and occasional actor. He is best known as the bassist and co-founding member of the Red Hot Chili Peppers, and co-founder of The Silverlake Conservatory of Music.
"Acid for the Children is not an as-told-to, nor is it written "with" someone. These are Flea's words-excitable, jazzy, regretful, disarming, popping and writhing away in his biological bass zone. Insecurities to the fore: He worries that he may be producing "a thorny jumble of trash." But he's actually a lovely writer, with a particular gift for the free-floating and reverberant. He writes in Beat Generation bursts and epiphanies, lifting toward the kind of virtuosic vulnerability and self-exposure associated with the great jazz players....Flea-elegant nutcase, funk-at-high-pressure bassist, wildly cultured and culturedly wild man-has written a fine memoir. You'll put down Acid for the Children with your human sympathies expanded; you'll feel less alone."—The Atlantic
"Acid For the Children's closest analog is, somewhat surprisingly, Patti
Smith's Just Kids...The prose frequently mimics [Flea's] playing:
occasionally beautiful, occasionally outrageous, in conversation with a small
group of predecessors but unwilling to follow anyone else's rules. This is what
gives Acid for the Children its considerable charm..."—AV Club
"[An] electric, surprisingly moving memoir...Flea is an enlightened narrator, and this passionate, smart memoir will resonate with readers whether they're fans of the band or not." —Publisher's Weekly, starred review
"A wild ride through the coming-of-age wilderness of the famed rock bassist...Relentlessly honest, untamed, and often revelatory."—Kirkus
"Flea is a surprisingly good writer...RHCP fans or not, readers will find a unique coming-of-age memoir that's also an ode to books, music, and performing."—Booklist
"[A] sensitive, well-written coming-of-age memoir. Readers will find much to relate to in Flea's life story and will hope that this isn't the only entry in his writing career."—Library Journal
". . . a vital, only-in-L.A. account of a wide-open time filtered through an engaging, humbled voice reshaped by his recovery and reconnecting to his spirit through art and music."—LA Times
". . . a coming-of-age bromance in the vein of Patti Smith's 'Just Kids.'"—Rolling Stone
"[Acid For The Children is] written with the same lyrical, holy goof-ball energy its author brings to all his public activities, and its earnest, eccentric prose reflects Flea's evolution from Hollywood-scene knucklehead to reflective, spiritually clued-in adult."—The New York Times